![]() When developing the library we tried to avoid over-processing the samples by using compression and normalization. Therefore we needed a special scripting device which could blend all the samples transitions in a very smooth and realistic way. We developed an external tool which analyzes the samples and imports this data into Kontakt called the Dynamic Control Engine. Thanks to the DCE, Kontakt knows the volumes of the samples currently playing in the instrument and matches the volume of the incoming samples with the previous ones. I like Sakura, but as u/Erratus said, I wouldnt necessarily call it realistic, because at its core its. If your goal is realism then youre going the wrong direction. Isolate the Quick Legato tool to the selection. Its worth it if youre into producing synthy strings, also Sakura is great at atonal stuff. In the end the DCE works flawlessly “under the radar” leaving the user free to enjoy playing and building his expressive legato phrases. Three pictures say more than three-thousand words, so allow me to demonstrate: This is my starting point. ![]() I want the lower group of notes to play legato. To open - Right-click the Channel (Button) you want to sample in FL Studio and select Create DirectWave instrument. ![]() Speed - Frequency of the pitch deviation. This is what I would expect to happen when I use the quick legato tool in a selection The end time of each note in the selection. ![]() 1.35 GB ncw compressed sample pool (2.Legato controls relate to the attack of notes and the way consecutive notes are joined. ![]()
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